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May. 1st, 2026 09:40 pm
skygiants: wen qing kneeling with sword in hand (wen red)
[personal profile] skygiants
Legend of the Magnate is the first historical cdrama I've watched that's interested in the middle class, and for this alone tbh I'd recommend it. The Qing Emperor dies pretty early on and nobody cares except inasmuch as it leads to some national policy changes, because not a single one of our main characters knew him personally!

The year is 1860; the Qing Empire is struggling with the aftermath of the Opium Wars and the ongoing Taiping Heavenly Kingdom rebellion; and our protagonist, Gu Pingyuan, a nice young man with scholarly ambitions from a family of tea farmers, has unfortunately spent his twenties in prison-exile in the frozen north after getting sabotaged by an Unknown Enemy into making criminal amounts of noise at the big civil service exams in the capitol. During his years in exile he has learned various survival skills and at the start of the show he makes his escape so he figure out who sabotaged him, as well as what happened to the long-disappeared father he went to the capitol to seek information about the first place.

Given this setup -- and the fact that the show is a high-budget historical drama that shares several cast members with Nirvana in Fire -- we were kind of expecting Gu Pingyuan to be a master schemer and puppeteer with martial skills and elaborate plans. Not so! It turns out the survival skills that Pingyuan learned in prison mostly included Wheeling, Dealing, Bullshitting, and Occasionally Falling On His Face And Begging. Very refreshing also tbh to see a clever protagonist who has no pride whatsoever. Many times Pingyuan's brilliant schemes to manipulate the market forces around him do succeed! (Often I didn't understand why, because I'm not a financial genius, but I was willing to nod sagely along and agree that they probably were brilliant.) And many other times they result in heavily armed men throwing him in prison because his bullshit immediately backfired on him and he has to wait for someone else to come and rescue him, because he did not in fact acquire any martial arts skills in prison, he leaves that to his love interest.

I should probably at this point talk about the other main characters of the drama. They are:

- his love interest, a nice young woman whose family runs a horse caravan for long-distance deliveries; as this often takes her into somewhat dangerous situations, she's picked up some martial arts skills and low-key considers herself part of the jianghu but in like a normal person way. She's lovely. So is her dad, who loves Gu Pingyuan almost as much as she does. Unfortunately Gu Pingyuan has a pre-prison-exile fiancee that he thinks he's duty-bound to be getting back to and as a result he fumbles her so many times
- his foil, the son of very wealthy merchant, Li Million who owns a massive chain of pharmacies; as a result before we learned his name we spent several episodes calling him the Heir to CVS. The lonely CVS Junior has a deep and powerful attachment to Gu Pingyuan, and the plot keeps briefly letting them get into joyous financial cahoots and then immediately putting them into rivals situations; numerous scenes where Li Million (a major ominously antagonistic figure, played by the Emperor from Nirvana in Fire) is like "I have told you Many times you are Forbidden to associate with that Convict" and CVS Junior stares up at him with big sad eyes and goes "but daddy ... I love him he's my only friend ...."
- his ex-fiancee, who unfortunately for Gu Pingyuan is busy having her own plot, which is spoilery )
- his ... hmm I don't really know how to describe Ms. Su in context of Gu Pingyuan as she doesn't actually care that much about him; she's obviously the main character of her own drama that occasionally intersects with this one in which she is a ruthless master puppeteer engaged on her own mysterious business. She appears in the plot every few episodes, often cross-dressed, often waving large amounts of money, occasionally trying to assassinate somebody, and half the time it's like "thank God she's here to help our friend out of prison, we couldn't have done it without her" and the other half the time it's like "well, five men are now dead." You never can tell with Ms. Su!

The show is somewhat interested in politics, but much more interested in how things are made, who makes them, who sells them, and how they get from place to place. At one point some East India Company white guys show up with something ominous under a cloth, and [personal profile] genarti was like "is it a Spinning Jenny?" and the cloth came off and INDEED IT WAS A SPINNING JENNY and we all screamed. The real villain of the story has appeared!

-- though the villain of the story, I want to be clear, is not capitalism. The show wants to be very clear on that. About every three or four episodes it's clearly been mandated by Someone that Gu Pingyuan have a conversation with somebody to reiterate his Ethical Vision for Ethical Business That Truly Serves the People. And when that doesn't happen and when businessmen act badly? That is the fault of the FAILING QING DYNASTY, or possibly the BRITISH, but it is Not the fault of Business, which is Good, and Ethical, and also Patriotic. The last scene of the drama -- this isn't a spoiler, it has nothing to do with the plot of the show in any way -- is a brief post-show epilogue set fifty years in the future where we learn that Gu Pingyuan's business wealth acquired through years of ardent dedication to the free market is of course funding the Communist Revolution.

But the flip side of this dedicated Business Propaganda is that the rest of the show is free to be nuanced, messy, and politically ambivalent. The show doesn't particularly support either the rebels or the Empire; the show just thinks that the civil war sucks for everyone who's caught up in it and makes tea production very difficult. When aristocrats and officials appear in the plot, they're small disruptive typhoons oversetting everything in their wake for the merchant- and working-class people whose lives we're following. Upward mobility is possible, but also perilous; Gu Pingyuan is constantly getting put into glass cliff situations by more powerful people who need a scapegoat, because the Empire is a powder keg and fundamentally our protagonist is just an ex-convict from a tea farming family.

big major show spoilers )

All this is to say that I enjoyed the show very much, but I do have one -- well, two major complaints. The first is that Gu Pingyuan has a younger brother and in a show where most people broadly do get interesting characterization and growth this brother never once transcends Comedy Status. Earth-shaking revelations are destabilizing the rest of his family to their core and nobody ever bothers to tell him! What is even the POINT of a Comedy Brother if you don't get a moment of shocking and unexpected poignance! Absolute waste.

The second is that there is an arc with Wolves, all of whom seem to have been imported straight into China by way of Hammer Horror. RIP to those many, many monster movie wolves.

Up flies the kite ...

May. 1st, 2026 09:09 pm
nineweaving: (Default)
[personal profile] nineweaving
... down falls the lark O. A beautiful May morning by the river, a little chill before the dawn, but after glorious, all budding and abloom. I can't remember if I was at the first gathering over fifty years ago, but I don't think I've missed one since 1979. There were some terrific young new Morris sides this year--I don't believe I've ever seen a cellist dance with her cello before--as well as the beloved old stagers, the maypole and the singing. The hobby horses were enchanting. Along with our venerable qilin, there were a griffin, an owl, and a luna moth.













Nine








[migraine] ... mrgh

May. 1st, 2026 11:41 pm
kaberett: Trans symbol with Swiss Army knife tools at other positions around the central circle. (Default)
[personal profile] kaberett

Today has been. the first time in A While that I have spent mostly horizontal and mostly asleep on account of migraine, despite drugs. I am Not A Fan.

Read more... )

Turbulence, by David Szalay

May. 1st, 2026 03:12 pm
rachelmanija: (Books: old)
[personal profile] rachelmanija


A modern take on La Ronde: a novel in the form of twelve short stories linked by airplane trips. Each has a main character who meets the main character of the next story. A pilot has a brief fling with a journalist in Brazil; the journalist flies to Toronto to interview a writer; the writer flies to Seattle where she meets two of her fans; one of the fans flies to Hong Kong, and so forth.

The blurb says each meeting causes a ripple effect as they change each other's lives, but that's not actually what happens in many of them. Some are minor chance encounters, some are present at a crucial moment in someone else's life but don't directly affect it, and some are important encounters but those are the ones where the people have pre-existing relationships. Most of the characters are disconnected, discontented, and lonely, despite the literal connections they have in a six degrees of separation way; the only character who seems happy and is focused on the people they love is about to get hit with a terrible tragedy that's someone else's traffic delay.

As we go from person to person, we get to see the characters from different angles, and understand things about them that others don't. The pilot, who in his story was wondering what would have happened if his younger sister hadn't died in a childhood accent, asks his one night stand how old she is. She says 33, which is the age his sister would have been. But she has no idea of any of this, and when he doesn't reply she thinks he's fallen asleep.

There's an impressively diverse set of locales and characters, sketched-in but real-feeling; I knew we were in Delhi before it was stated just from the description of the air. The emotional tenor is a bit distanced and chilly. Overall it reminded me of Raymond Carver, but with less striking prose.

Szalay won last year's Booker Prize for Flesh, a novel which sounds really unappealing.
sovay: (Lord Peter Wimsey: passion)
[personal profile] sovay
Rabbit, rabbit! For May Day, I made a garland and [personal profile] spatch photographed me. The inspiration was [personal profile] nineweaving.

And every hair all on your head shines like a silver wire )

And on the porch was sitting the copy of Vivien Alcock's A Kind of Thief (1991) that [personal profile] osprey_archer had offered a week ago and Hestia had run across my computer to claim, so she will sit on it and I will read it and we will welcome in the spring.

Sincere offer of the day

May. 1st, 2026 10:34 am
james_davis_nicoll: (Default)
[personal profile] james_davis_nicoll
Technically, of yesterday.

Seen in email:

Read more... )

May 2026 Patreon Boost

May. 1st, 2026 09:24 am
james_davis_nicoll: (Default)
[personal profile] james_davis_nicoll


James Nicoll Reviews offers readers reviews of a wide variety of works, as well as the opportunity to point out typos and broken links five days out of seven!

You can help fund James Nicoll Reviews in several ways.

May 2026 Patreon Boost

New Worlds: Suburban Sprawl

May. 1st, 2026 08:06 am
swan_tower: (Default)
[personal profile] swan_tower
Suburbs are such a characteristic feature of the twentieth century, especially here in the United States, that you'd be forgiven for assuming they're a wholly modern phenomenon. In fact, the general concept of "not quite in the city, but very much associated with it" is very old; it's just the scale and to some extent the organization of it that changes.

And it isn't hard to see why. Cities are, by nature, going to be noisier, smellier, and more crowded than the countryside; because of that, it's practically a universal law that rich people will want to get away from them -- but not too far away. They'll maintain villas or equivalent just outside the city walls, within easy distance so they can go in for an afternoon or a day, then retire to more comfortable surroundings at night. They get all the economic and political benefits of being close to where the action is, without subjecting themselves to too many of the downsides.

Living outside the city isn't only for the rich, though. Most pre-modern cities are going to have vegetable gardens and/or dairy farms outside their walls, which means they'll probably also have the houses of the people tending those gardens and farms, and it isn't uncommon for those to nucleate slightly into villages. After all, you don't want to have to walk into the city for everything; much more convenient to have your parish church and local alehouse (or regional equivalents) closer at hand.

These things don't form evenly. If you look at early modern maps -- which are usually the first point at which we can see anything like accurate visual representation -- they very much tend to string out along the major roads leading to and from the city. That's because they also serve the function of catering to travelers, who might prefer to lodge just outside the city rather than in its (noisy, smelly, crowded) heart. Or the outskirts are where those travelers leave their horses and carriages, rather than trying to wrangle such things in tighter confines. Or they pause to eat and freshen up, then continue on in. The city winds up looking like an octopus, with legs stretching in all directions.

But that's the thin end of the suburban wedge -- the sort of thing called a fauborg in French, with the English "fore-town" being a less common equivalent. (A "suburb" is "below the city," and reflects the tendency to build fortified towns on hilltops, meaning that their outlying settlements are literally below them.) So long as urban populations remain small, so will their penumbra.

As soon as something causes the city to boom, though, it's going to have growing pains. Maybe the capital shifts there, or a war causes refugees to flood in, or famine and economic disaster hit the countryside, or industrialization creates a huge new demand for labor. Suddenly you have a lot more people, and the very pressing question of where to put them. Are existing sites in the city sufficient to take in these people? And even if the answer is "yes," will they? Especially if the influx consists of refugees and penniless migrants, local establishments may not want to rent to them, or local government may forbid them to settle within the city's bounds.

Since those people still want to be in or near the city, though, they're going to crowd as close as they can get -- and I do mean crowd. The kind of shanty town that springs up in these circumstances usually has an insanely high population density, not least because the kind of people shoved out to the margins don't have a lot of money to spend on construction. The buildings may barely even merit the name, being a conglomeration of tents, lean-tos, and whatever makeshift materials can be pressed into service, or shoddy walls and roofs thrown up in a hurry that may come down even faster. There's little to no infrastructure, and because these places are frequently outside the official authority of the city, there's little to no governance. Disease and crime are extremely high -- but the people who live there can't just afford to pack up and go somewhere else. They have no choice but to cope.

Until, of course, something else intervenes. Quite frequently that is fire: all it takes is one spark and a place like this is liable to go up in flames. Then, since the people who lived there almost certainly have no legal title to the land, it's easy for someone else to snap that up, or for whoever owned it in the first place to seize their chance to evict everyone en masse. The area is unlikely to revert to green field pastoralism, though, because by now you're no longer looking at a modest little city supplied by its neighboring vegetable gardens. If the settlement has grown enough to have this kind of extramural slum, odds are very good that it will also grow straight into the space left behind: gentrification by fire.

Throw all of these factors into a pot together, and you get the process by which a city grows. I used the term "extramural" there very deliberately, because in any society without efficient artillery or equivalent, most cities are going to be walled, and these elite houses, neighboring villages, and suburban slums are outside that line. But walls aren't a one-and-done affair; new ones may be built farther out, with or without demolishing the older version first. If you look at the historical geography of Constantinople, you'll find a steady march up the peninsula on which the city sits, with the Severan Wall enclosing a modest area, the Constantinian Wall significantly farther out, and the famous Theodosian Walls farther still. You can track the growth of the city by how much later rulers felt needed to be protected.

Or cities can grow without moving their walls. London and Westminster were separate settlements about two miles (three kilometers) apart, but a lot of business was in London while much of the work of government was in Westminster. When an enterprising earl received a chunk of the land between them in the mid-sixteenth century, he deliberately constructed a fashionable area -- now Covent Garden Square -- to attract the kind of rich tenants who might be regularly visiting both places. It was the prototype of a later building spree that created the West End we see today, part and parcel of how for the last two or three hundred years, London has been steadily absorbing those and all the smaller towns around it. Nor is it the only one: many other cities worldwide have sprawled to an enormous footprint many times larger than their original cores.

What's different about modern suburbs -- especially in the U.S. -- is that they're often entirely new construction, along the lines of Covent Garden, with developers creating communities out of whole cloth. Or perhaps I shouldn't say "communities," because that implies a kind of social fabric that rarely exists there. Many of these places get referred to with phrases like "bedroom town," pointing at the way residents are expected to sleep but not really live there. The worst of them have few if any local businesses, so that you have to conduct all your shopping, doctor's visits, and outside entertainments somewhere else.

But to get that kind of suburb, you need something else in the mix: transportation. And that's next week's essay!

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(originally posted at Swan Tower: https://is.gd/4alWQd)

2026/065: Renaissance — E H Lupton

May. 1st, 2026 08:12 am
tamaranth: me, in the sun (Default)
[personal profile] tamaranth
2026/065: Renaissance — E H Lupton

“Ulysses?”
When he looked back, Eli said, carefully, “It’s pull the lever, not throw yourself in front of the trolley to save everyone.”
Ulysses exhaled. “It’s a thought experiment, Doc...” [loc. 3320]

Fifth in the 'Wisconsin Gothic' series which began with Dionysus in Wisconsin: in this instalment, Sam and Ulysses are planning a quiet summer, until Read more... )

erinptah: (daily show)
[personal profile] erinptah

Reread thread for the end of Pet Shop of Horrors volume 3 (Seven Seas edition), which is the first half of Volume 5 (TokyoPop edition).

Mastodon, Bluesky, affiliate links, you know the drill.

Almost halfway through the series, and this is the point where Chris Orcot finally shows up <3

Cover art from the Collector's Edition

 


creatures!

Apr. 30th, 2026 10:20 pm
kaberett: Trans symbol with Swiss Army knife tools at other positions around the central circle. (Default)
[personal profile] kaberett

Went into town this afternoon to post some things, and observed Several Creatures. The blue butterfly around the lilac near the top of the hill was very welcome; the Egyptian goslings are starting to look almost grown up, with eye markings and a general reduction in fluff and increase in sleek!

(Elsewise today: SLEEP, post-gym Spatzen, more free electrons and therefore more laundry; both social and solitary wiggles; good therapy; and some Tentatively Positive Communication re Admin: the LRP.)

james_davis_nicoll: (Default)
[personal profile] james_davis_nicoll


The first 12 volumes of the Journal of the Travellers' Aid Society, the guides for the Traveller tabletop science fiction roleplaying game from Mongoose Publishing.

Bundle of Holding: Traveller JTAS (from 2024)

April 2026 in Review

Apr. 30th, 2026 09:37 am
james_davis_nicoll: (Default)
[personal profile] james_davis_nicoll


22 works reviewed. 12 by women (55%), 10 by men (45%), 0 by non-binary authors (0%), 0 by authors whose gender is unknown (0%), and 9 by POC (41%), one of which was my 1000th work by a POC. Also, I was nominated for two awards.

April 2026 in Review

The Player of Games by Iain M. Banks

Apr. 30th, 2026 09:18 am
james_davis_nicoll: (Default)
[personal profile] james_davis_nicoll


A gaming adept is used as a weapon against a malevolent empire.

The Player of Games by Iain M. Banks
sovay: (Silver: against blue)
[personal profile] sovay
tl;dr my body is chewed up by medical conditions and their treatment and I have not slept more than two or three hours in five nights, but this afternoon I had to walk into Davis for a prescription and I photographed some flowering things along the way. The cherries are still blooming.

One step over the line. )

I am still watching almost nothing in the way of movies, but [personal profile] spatch and I are enjoying the introductory riffs on weird New England in Widow's Bay (2026–). The series so far feels more like a collection of strange stories than a puzzle-box, off-kilter without tipping as far as spoof. I hope it can hold. I'd had no idea I should have been following Matthew Rhys for his powers of +10 mortal fear. In other art, I had missed the gloriously angular revival of the Pylon Reenactment Society's Magnet Factory (2024). I believe [personal profile] moon_custafer that this musician is doing his impressive best in the absence of his natural frog form. The doom-folk of Jim Ghedi's "Wasteland" (2025) once again suggests a Cloudish cinema.

LB is tabling at Hampshire Pride!

Apr. 29th, 2026 09:15 pm
lb_lee: Rogan drawing/writing in a spiral. (art)
[personal profile] lb_lee
This Saturday, May 2, we'll be tabling at Hampshire Pride in the Armory Street parking lot behind Thornes Marketplace, in Northampton MA! We'll be at the white booth, #29, and we're sharing the space with Bee Leake!

We'll be loaded up with all sorts of goodies. Hope to see you there! We also will be offline once we leave tomorrow morning, so if you need to reach us, call, text, or wait.

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